Ebook Free Contemporary Counterpoint: Theory & Application (Music Theory: Counterpoint)
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Contemporary Counterpoint: Theory & Application (Music Theory: Counterpoint)
Ebook Free Contemporary Counterpoint: Theory & Application (Music Theory: Counterpoint)
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Product details
Series: Music Theory: Counterpoint
Paperback: 184 pages
Publisher: Berklee Press; Pap/Psc edition (September 1, 2017)
Language: English
ISBN-10: 0876391838
ISBN-13: 978-0876391839
Product Dimensions:
9 x 0.5 x 12 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#36,583 in Books (See Top 100 in Books)
Written in contemporary English--not translated from, for example, a highly academic 19th century author--and in a readily understandable conversational style, this books seems aimed at the determined student who might be in their second or third year of a high school music program, perhaps first or second year college level studies (I'm guessing at the latter.)The author does a very careful job of explaining *what* is attempting to be communicated, *why* the idea is relevant, and *how* the many, many examples tie into the associated whats and whys. Progression seems to be very even, and no obvious weak points. There are music files available online that are referenced in the examples, but the website doesn't like the fact I don't allow cookies, have adbuster and a pop-up blocker running.Learning from this book does not demand technical mastery of arcane terminology, at least beyond what is normally expected of a musician; probably less, in my opinion, than the other books on music theory I have. It is one of the more effective music theory texts I have yet read (maybe the best, need to think about that for a while longer), and while it is as yet too much for my 9 y.o. nephew, its enough that I can learn from the book and then explain the concept to him in a manner he could grasp.
I took the online version of the Counterpoint course as a refresher and loved every minute of it. With Contemporary Counterpoint, I'm so happy to see the same course materials in a book and hope others get as much out of it as I did. For what it's worth, I was Music Theory major and I know all the classic texts. This book is for the musician making music today. If you're a beginner composer and/or performer interested in counterpoint, this really is your best option. And if you're getting back into it, start here so you're up to date and they maybe go back to the pricy Kennan texts. Also, if you love the book, consider taking the online course to hold yourself accountable and write some music. Kudos, Beth!
Beautiful book that covers the basics of counterpoint in an easy to understand way. This book exudes the love and enthusiasm of the author for the subject and her readers. It reminds me of the books written by the great professors of the Eastman school of Music back in the sixties (Howard Hanson, Alfred Mann and Roger) They just cared so much about the subject and their readers understanding of that subject that many of those books have become classics. This book is very much written in the same vane. I highly recommend it.
having graduated from Berklee decades ago I have always had a fascination for counterpoint.This is the most satisfying presentation I have come across since my time at Berklee Many years ago
Beth Denisch’s book Contemporary Counterpoint can be used as a valuable recourse for musicians well-versed in counterpoint and new to counterpoint alike. The book presents material in a logical way, guiding students through the evolution of counterpoint from it’s conception through modern times. All the terminology is defined and presented clearly in a logical direction, accompanied by musical examples. All the examples can be listened to on a website that is included with the book. The examples all sound clear, and being able to hear the material along with a theoretical explanation proved to be extremely valuable. The last few examples are written by students who have taken the on-line class that is used with the book, proving that after taking the class a student will be able to compose on their own. I would highly recommend this book to anyone who wants to learn or expand their knowledge of counterpoint.
A well written book about counterpoint. Not focused on classical music, it provides a more general discussion.
Haven't studied writing music for decades but this book helps the memories and skills return. Well worth buying
Succinct and tangible. I read this book from cover to cover and it had an immediate impact on my composition skills.
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