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Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence, by Lisa Cron
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Review
As both a publishing veteran and a TV pro, Lisa Cron knows storytelling. In Wired for Story she shares her fascinating psychological approaches to the craft. Her fresh way of looking at the core essentials of writing has our neurons firing. - Writer's Digest. . . how can you craft a story compelling enough to keep readers turning the pages deep into the night? The answer lies in a new book linking writing to neuroscience, Lisa Cron's Wired for Story: The Writer's Guide to Using Brain Science. - Arnie Cooper - Poets & WritersLisa Cron's Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence is relentlessly interesting because it reveals how our brains perceive and process stories and narratives. Ms. Cron walks the writer through the mental architecture of a story, patiently revealing what works and what doesn't and why. She writes with clarity and humor about elementary things every writer could profit from revisiting under her auspices. Who would have thought anyone could make the intricacies of brain science accessible?  - Pittsburgh Post-Gazette
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About the Author
LISA CRON is the author of Wired for Story and Story Genius. Her TEDx talk, Wired for Story opened Furman University's 2014 TEDx Conference, Stories: The Common Thread of Our Humanity. Lisa has worked in publishing at W.W. Norton, as an agent at the Angela Rinaldi Literary Agency, as a producer on shows for Showtime and Court TV, and as a story analyst for Warner Brothers and the William Morris Agency. Since 2006 she has been an instructor in the UCLA Extension Writers' Program, and she is on the faculty of the School of Visual Arts MFA Program in Visual Narrative in New York City. She is a frequent presenter at writers conferences, universities and schools nationwide, and in her work as a story coach Lisa helps novelists, screenwriters and journalists wrangle the story they want to tell onto the page.
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Product details
Paperback: 272 pages
Publisher: Ten Speed Press; 40065th edition (July 10, 2012)
Language: English
ISBN-10: 1607742454
ISBN-13: 978-1607742456
Product Dimensions:
5.5 x 0.7 x 8.2 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
345 customer reviews
Amazon Best Sellers Rank:
#20,572 in Books (See Top 100 in Books)
I have been an author for decades and published 4 books. I've been an editor for over a decade and this book is perfect for seasoned and new writers. It certainly made me take a new, long look at the latest book I'm busy with. I think it's great for getting one focused on the important points. I loved it. There wasn't too much about how the brain works to bore one or make it feel like a technical book on neuroscience. I found her writing style amusing and entertaining. I will definitely recommend it to all my clients and writing friends. There was nothing in the book I didn't know, but this book forces one to focus on the bigger picture. It doesn't matter how accomplished one is as a writer, one can always learn more. And I certainly did with this book. So, thank you, Ms. Cron. I saw the negative three or fewer star comments and can only think the commentators didn't see what the author was actually trying to convey. It's a classic lesson in the KISS method (keep it simple stupid) and I loved it.This isn't a full-on, in-depth analysis of every part of the craft of writing, as many seemed to expect, that would take 12 full books or more. This is also not only for beginners as some suggest. To them I would say, don't let hubris cloud your ability to write better--think beyond that--read the book again. I think the book serves as an excellent reference to keep us on track when we lose the plot, so to speak.Seasoned writers can get quite jaded and write almost on auto-pilot at times--not good. Thank you, Ms. Cron, for putting me back on track and making me excited to re-write and re-edit my latest book, my first YA fantasy, for the zillionth time. I was out of my comfort zone with this book and feeling a bit overwhelmed and unsure. Wired for Story has me fired up to go forth and do this.I highly recommend this book, especially for seasoned writers.
Our brains, Lisa Cron tells us, are designed by evolution to reward us for paying attention to a certain kind of story. The tale that rewards us is one that promises a lesson—and then delivers. The protagonist must confront a choice that matters to his or her life. Whatever choice is made, the consequences that follow are the lesson, and such learning, even through the mythical lessons of others' success or failure, is a survival mechanism.So: Should Joe have bacon or kippers for breakfast? Not a world-shaking or life-changing choice.Except... what if choosing bacon meant that Joe would soon be in a battle for his life, because of a mutated pestilence that had infected the swine from which the bacon was made? To catch the reader's attention, the story must show right from the beginning the serious nature of Joe's breakfast choice, and then incorporate the consequences in a way that rewards the expectant reader.According to Cron, it isn't the obviousness of the dilemma, but the way it is presented—the way it is written—that absorbs that survival skill in the brain, and rewards the ardent listener to a well-told story.
I liked this book. As a writer and self-professed nerd, it was right up my alley. But the science isn't so hard-core that it should frighten any non-nerds away!It's a good overview of what readers expectations for stories are.... and why that is. That's always useful information as we are going through the writing and editing process, especially if we want the best, most polished and marketable product possible. Art is art. But in the end, it doesn't matter how beautiful your prose, because story does matter. If you want something that emotionally appeals to readers and will actually sell, this book could help you.Loved the mention of using engrams for character development. I've toyed around with this in my writing. I think it would help lots of writers make characters that are more believable and consistent in their actions.
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall.Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books.Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy.The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
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